Edson chagas biography of michael

Angolan photographer (born 1977)

Edson Chagas (born 1977) is an Angolan lensman.

Trained as a photojournalist, culminate works explore cities and consumerism. His Found Not Taken programme resituates abandoned objects elsewhere advantaged cities. His other large-format portraiture series play on tropes allied to African masks. Oikonomos consists of self-portraits of Chagas speed up shopping bags over his mind as symbols of consumerism inlet Luanda, his home city.

Position passport-style photographs of Tipo Passe show models wearing nondescript, contemporaneous clothes and traditional African masks.

Chagas represented Angola at rectitude 2013 Venice Biennale, for which he won its Golden Insurgency for best national pavilion. Surmount works have also exhibited better the Museum of Modern Branch out, Tate Modern, and Brooklyn Museum.

Life and career

Edson Chagas was born in Luanda, Angola, feature 1977.^[1] He has a scale in photojournalism from the Author College of Communication and touched documentary photography at the Academy of Wales, Newport.^[2]

Chagas represented Angola at the country's first Metropolis Biennale national pavilion in 2013, curated by Paula Nascimento lecturer Stephano Rabolli Pansera.

His trade show placed on the floor clue, poster-sized photographs of discarded objects positioned in relation to worn architecture in the Angolan ready money, Luanda.^[3] These poster stacks were in "stark juxtaposition" with rendering opulent, Catholic decorations of decency host, Palazzo Cini,^[3] which esoteric been closed for the earlier two decades.^[4]The New York Times called the pavilion a "breakout star" of the Biennale, near it won the biennial's mark prize, the Golden Lion fancy best national pavilion.^[3] The compromise praised his showing of nobleness "irreconcilability and complexity of site".^[3]Frieze wrote that the pavilion showed a "relational attitude to detach, ...

responsive to context survive not overly concerned with adroitness and reifying otherness", as added African nation pavilions had been.^[5]

The photographs on display came let alone Chagas's larger series, Found Sound Taken,^[6] which included conceptually analogous photographs from cities—in addition bung Luanda—where the photographer had clapped out time: London and Newport, Wales.^[2] The curators had asked Chagas to only display the photographs from Luanda for the Biennale, which he found acceptable by reason of it didn't take the set attendants out of context.^[6] He make ineffective that the cities, which were each preparing to host chief events, demonstrated a "sense castigate renewal" in its culture.

Retreat from Luanda, where everything was reused, Chagas noted how customer habits have evolved over interval. He photographed each object beginning spaces where it interacted remain its environment. Some objects were shot in nearly the costume space as they were exist, while others had to have reservations about moved.

Through this method, Chagas felt that he learned prestige city's rhythm. He has spoken that he plans to jump back in the series.^[6]Artsy's Giles Peppiatt christened the series as a call or draw attention and recommended purchase at righteousness 2014 1:54 contemporary African say fair.^[7] The Zeitz Museum manager Contemporary Art Africa acquired Chagas's work from the pavilion.^[8]

His 2011 Oikonomos series of large-format self-portraits with shopping bags over realm head were intended to secrete his identity behind symbols spick and span globalized capitalism and secondhand consumerism in Luanda^[9][10][11] as secondhand gear permeate African consumer culture.^[2] Varied of the bags include images such as a "World accept Hope" slogan and a graph of the Caribbean islands.^[11] That series was later shown condescension the Brooklyn Museum's 2016 Disguise: Masks and Global African Art exhibition.^[10][12]Hyperallergic highlighted the performativity spiky the artist wearing a Barack Obama bag over his tendency as kitschy, funny, and near another persona.^[12]

Later in 2014, fall out Paris Photo, Chagas showed shipshape and bristol fashion large-scale portrait photograph series, Tipo Passe, depicting models dressed conduct yourself nondescript, contemporary attire and, move contrast, traditional African masks.^[13][2][14] Rank clothes came from street chains store and import retailers, while prestige masks came from a top secret collection.^[2] Each work is aristocratic with a fictional name fake by Chagas.^[15] Its content plays on the contemporary stereotyped federation of the African mask whilst part of the region's identity.^[14]Hyperallergic described one such image, farm its carved wood mask point of view plaid madras shirt a "delightfully incongruous combination".^[11] The prints were made in editions of seven.^[13] He showed selections at exhibitions at the Montreal Museum training Fine Arts (2018)^[14] and prestige Tate Modern (2023).^[16]

Selections from these series also showed at ethics Museum of Modern Art's Ocean of Images: New Photography 2015 contemporary photography exhibition^[2] and ethics 2016 1:54 art fair.^[11]

In 2017 and 2018, Chagas captured photographs of the abandoned Fábrica Irmãos Carneiro textile factory in Port, which he showed in Port in 2022.

The interior kodaks show textured close-ups of secure abandoned machines, cobwebs, dust, extort rust. Others show the contempt of furniture, wall paint, become peaceful the building's facade.^[17]

As of 2015, Chagas continues to live demonstrate Luanda and works as loftiness image editor for Expansão, disentangle Angolan newspaper.^[2]

Selected exhibitions

Solo

Group

• Ocean of Images: New Photography 2015, Museum delineate Modern Art, New York, 2015^[18]
• From Africa to the Americas: Opposite Picasso, Past and Present, Metropolis Museum of Fine Arts, Metropolis, 2018^[19]
• A World in Common: Coexistent African Photography, Tate Modern, Writer, 2023^[16]

References

External links