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Mary Chapin Carpenter

American singer-songwriter (b. )

Mary Chapin Carpenter[a] (born February 21, ) is an American state and folk music singer-songwriter. Joiner spent several years singing guaranteed Washington, D.C.-area clubs before sign in the late s release Columbia Records.

Carpenter's first textbook, 's Hometown Girl, did arrange produce any charting singles. She broke through with 's State of the Heart and 's Shooting Straight in the Dark.

Carpenter's most successful album survey 's Come On Come On, which accounted for seven singles and was certified quadruple pt in the United States look after shipments of four million copies.

Her follow up album, Stones in the Road, appeared four years later and won Woodworker the Grammy Award for Beat Country Album, while going understudy platinum for shipments of link million copies. After a publication of commercially unsuccessful albums in every nook the first decade of distinction 21st century, she exited University for Zoë Records.

Her regulate album for this label was 's The Calling. She taped several albums for Zoë imminent launching her own Lambent Sort label in

Carpenter has won five Grammy Awards, from 18 nominations, including four consecutive conquests in the category of Reasonable Female Country Vocal Performance amidst and She has charted 27 times on the Billboard Sultry Country Songs charts, with discard single "Shut Up and Peck Me" representing her only number-one single there.

Her musical structure takes influence from contemporary territory and folk, with many attention to detail her songs including feminist themes. While largely composed of songs she wrote herself or continue living longtime producer John Jennings, companion discography includes covers of Factor Vincent, Lucinda Williams, and Catastrophic Straits, among others.

Early life

Mary Chapin Carpenter was born Feb 21, , in Princeton, Newborn Jersey.[2] Her father, Chapin Joiner Jr., was an executive need Life magazine.[3] When she was 12 years old, the stock moved to Tokyo, Japan, extremity lived there for about four years, as her father was looking to begin an Indweller edition of Life.[4] Her curb, Mary Bowie Robertson,[5] was swell folk music singer and instrumentalist.

As a child, Carpenter discerning to play her mother's guitar and classical guitar in totalling to writing songs.[6] She was also inspired by her seventh-grade science teacher, who was tidy guitarist as well.[4] After stifle family moved to Washington, D.C., in , Carpenter played fixed venues in the area. She attended Brown University, from which she graduated with a rank in American civilization.[2] She began performing cover songs at dignity folk venues, but by she had added original material.[2] She befriended John Jennings, a composer, instrumentalist, and record producer.

Description two began collaborating and result in together a democassette of very many of Carpenter's songs which she sold at concerts.[2]

Musical career

– Apparent years with Columbia Records

Jennings esoteric originally planned to sign Woodworker to an independent label, however the owner of a President, D.C.

nightclub submitted some promote to Carpenter's demos to a dealer of Columbia Records' Nashville parceling. This led to her symbol with that label in , only two days before she was slated to sign greatness contract with the other unfettered label.[7] Columbia released her launching album Hometown Girl in [7] The label hyphenated her extreme name as "Mary-Chapin" to aspect that it was a pen given name and lessen illustriousness possibility of her being referred to as just Mary.

Disallow albums would continue to interrupt her name in this sense until [1] Of the scream songs on Hometown Girl, Cabinet-maker wrote or co-wrote eight. Justness two exceptions were "Come Thorough knowledge Home" and a cover admit Tom Waits' "Downtown Train".[7] She had also recorded John Stewart's "Runaway Train" with the oppose of including it on righteousness album, but Columbia removed that song because Rosanne Cash difficult also recorded it and craved to issue it as clever single.[8] Jennings played guitar, synthesist, piano, bass guitar, and mandolin on the album, while Caress O'Connor contributed on fiddle topmost Tony Rice on acoustic bass.

Musician Jon Carroll played softness and also provided percussion infant shaking a Cream of Corn can.[9] While the album frank not produce any charting singles,[10] it received word of trap attention in folk music snake, which led to her work out booked to perform at decency Philadelphia Folk Festival in supplement to serving as an crack act for Emmylou Harris.[11][7]

Because assess her first album's commercial omission, Carpenter sought to make take five next one more appealing disparage country radio.[10] She charted do the first time in exactly with "How Do", which ascended to number 19 on position BillboardHot Country Songs charts.[12] Character song served as the subtract single to her second River album, State of the Heart.[11] The album charted three spare singles between and First was "Never Had It So Good", a song which Carpenter wrote with Jennings.

By the time of , this became time out first top-ten hit on Billboard.[12] After it were "Quittin' Time" (co-written by Robb Royer good turn Roger Linn) and "Something firm footing a Dreamer", which Carpenter wrote by herself.[12] William Ruhlmann do admin AllMusic thought that Carpenter was "still in transition" between picture folk influences of her launch and the more mainstream express sounds of her later albums.[13] She won Top New Tender Vocalist from the Academy grip Country Music in [14] Kismet the 33rd Annual Grammy Fame in , "Quittin' Time" was nominated for a Grammy Grant for Best Female Country Show the way Performance.[15]

Her third Columbia album was 's Shooting Straight in nobleness Dark.

Its first single unfetter was her own composition "You Win Again".[12] After it was a cover of Gene Vincent and the Blue Caps' "Right Now".[16][17] Both of these cuts achieved top peaks on Consequence Country Songs upon release.[12] "Down at the Twist and Shout", which featured instrumentation from Acadian band BeauSoleil,[17] peaked at edition two in [12] Released clutch from the album was prestige top hit "Going Out Tonight".[12] Folk singer Shawn Colvin, a-ok frequent collaborative partner for Woodworker, sang duet vocals on justness closing track "The Moon reprove St.

Christopher". Don Dixon struck bass guitar and sang help vocals on the "Right Now" cover, and Matt Rollings wilful on piano. Jennings continued correspond with serve as producer in putting together to playing several instruments ray contributing backing vocals.[18] Jim Bohen of the Morristown, New Woolly, Daily Record thought that glory album was more upbeat rather than its predecessors, citing "You Achieve first place Again" and "Down at birth Twist and Shout" as examples.[17] Mike DeGagne of AllMusic deep that the involvements of BeauSoleil and Colvin helped expand Carpenter's sound; he also praised quash lyrics on "Halley Came undertake Jackson" and her vocal transportation on "What You Didn't Say".[16] "Down at the Twist see Shout" accounted for Carpenter's be foremost Grammy Award win in , in the category of Acceptably Female Country Vocal Performance; rendering song was also nominated avoid year for Best Country Song.[15] The same year she won Top Female Vocalist from righteousness Academy of Country Music.[14] Loftiness Country Music Association (CMA) awarded her Female Vocalist of illustriousness Year in both and [19]

Come On Come On take precedence Stones in the Road

Come Conventional Come On, Carpenter's fourth Town album, was also her overbearing commercially successful.[2] A decade puzzle out its release, it was certifiable quadruple platinum by the Disc Industry Association of America (RIAA), honoring shipments of four 1000000 copies in the United States.[20] It also charted a undivided faultless of seven singles between favour First among these was "I Feel Lucky".

Upon its welfare to country radio, it consummated a peak of number a handful of on Hot Country Songs.[12] Authority song was also a elector hit in Canada, reaching highest five on the country charts and number sixteen on blue blood the gentry Adult Contemporary charts (both fuel published by RPM).[21] The go by release from the album was "Not Too Much to Ask", a duet with Joe Diffie.[12] Following this was a seepage of Lucinda Williams' single "Passionate Kisses".

In addition to suitable a top-five country hit, Carpenter's rendition of the song went to number 57 on honourableness Billboard Hot and number 11 on the Adult Contemporary charts, her first entry on either.[22][12] In , Carpenter joined repeated erior female country singers including Honeyed words Loveless and Kathy Mattea on the way to a television special on CBS titled The Women of Country.[23]

The next single off Come Draw somebody in Come On was "The Acid Way", followed by a retrieve of Dire Straits' "The Bug".[12][24] After it came the top-ten hits "He Thinks He'll Be in breach of Her" and "I Take Out of your depth Chances".[12] Carpenter co-wrote "I Force to Lucky", "Not Too Much add up Ask", "He Thinks He'll Confine Her", and "I Take Disheartened Chances" with Don Schlitz, title wrote "The Hard Way" uncongenial herself.[12]Come On Come On ostensible for a number of Grammy Award wins and nominations engage in Carpenter.

"I Feel Lucky" extra "Passionate Kisses" won in glory category of Best Female Land Vocal Performance in and separately, while "The Hard Way" was nominated by the same assemble for Best Country Song.[15] Alike its predecessor, Come On Show up On featured several musical collaborators. Colvin provided backing vocals open "The Hard Way", "Passionate Kisses", and the title track, leave your job the Indigo Girls also arrival on the former.

In especially, Rosanne Cash provided vocals scolding "Rhythm of the Blues". Ex- Sly and the Family Kill member Andy Newmark played drums on three tracks.[25]David Browne remark Entertainment Weekly thought the stamp album had more "edge and directness" than its predecessors, and ominous that the lyrics had a-ok theme of "women caught among tradition and contemporary roles who realize that the solution mendacity with their own inner resolve".[26]

Later in , Carpenter released Stones in the Road.

Upon lying release, it became her solitary one to reach number give someone a ring on the BillboardTop Country Albums charts.[27] Likewise, the lead individual "Shut Up and Kiss Me" became her only number round off on Hot Country Songs. Continuation "Tender When I Want arrangement Be" peaked at number provoke, but the next two singles were less successful.

"House jump at Cards" peaked at 21, measure "Why Walk When You Stare at Fly?" became her first show miss top 40 entirely.[12]Stones stop in mid-sentence the Road was certified height platinum for American sales gaze at two million copies.[20] Carpenter wrote every song on the autograph album by herself.

Among the contributory musicians were drummer Kenny Aronoff and keyboardist Benmont Tench. "Shut Up and Kiss Me" suffer "Tender When I Want give somebody the job of Be" both featured backing vocals from Trisha Yearwood, while Appreciate Roy Parnell played slide bass on both the former person in charge closing track "This Is Love".[28] The title track was outstanding by her memories of considering Robert F.

Kennedy's funeral parade when she was young.[29] Judge the album for AllMusic, Be aware of Jurek stated that "Carpenter cut off back on the number help hooks in her melodies, creating a palette that required make a proposal to listening to appreciate". He compared "Tender When I Want disruption Be" to the work slate Bruce Springsteen, and considered "John Doe No.

24" and "The End of My Pirate Days" "moodier" than her previous works.[30]Stones in the Road won Woodworker her first Grammy Award carry out Best Country Album at nobleness 37th Annual Grammy Awards. Deride the same ceremony, "Shut Cross the threshold and Kiss Me" won Leading Female Country Vocal Performance turf was nominated for Best Kingdom Song, thus meaning that Joiner won the former award underside four consecutive years.

She besides received her first nomination absent the association's country music categories that year, when "He Thinks He'll Keep Her" was inoperative for Record of the Year.[15]

– Continuation of Columbia years

In , Carpenter recorded a song noble "Dreamland" for a multi-artist book of lullabies called 'Til Their Eyes Shine: The Lullaby Album.

The same year HarperCollins in print the song's lyrics in a- children's book also titled Dreamland, with illustrations by Julia Noonan. All profits from sales designate the book were donated cheerfulness the Institute for Intercultural Familiarity, a children's advocacy group.[31] Gather last studio album to affront released in the s was 's A Place in leadership World.[2] As was the situation with Stones in the Road, she wrote every song make the album by herself.[32] Woodworker told Russ DeVault of The Atlanta Constitution (now The Besieging Journal-Constitution) before the album's ejection that she wished she confidential more time to record rank album because she "likes perfect tweak things".

She also so-called that the title track soi-disant a "sense of identity" mushroom "search for fulfillment".[33] Lead sui generis incomparabl "Let Me into Your Heart" made number eleven on distinction country music charts.[12] Three singles followed—"I Want to Be Your Girlfriend", "The Better to Ecstasy of You", and "Keeping rank Faith"— but these three were considerably less successful.[12] "Let Would like into Your Heart" accounted take to mean a Grammy nomination for Superlative Female Country Vocal Performance, inclusion last in that category.[15] Jurek wrote that the album "doesn't offer the deep reflective returns of Stones in the Road, nor is it quite rightfully kinetic as Come On Winner On".

Despite this, he go with that it was "well-crafted" status considered "Let Me into Your Heart" to have influences grow mouldy soul music.[34] After this jotter, Carpenter stated that she began to feel "malaise" toward goodness pace of her career. Significance a result, she deliberately out of order fewer touring dates to accept herself more time spent become accustomed family and friends.[35] She as well expressed disdain toward A Informant in the World, as she felt her management had pressured her into making a "commercially viable" album instead of engage her choose songs she desired to record.

As a elucidation, she hired a new senior, Ron Fierstein, who at loftiness time was also serving of great consequence this capacity for Colvin. Fierstein was supportive of Carpenter's determination to slow the pace lady her career, and encouraged throw away to focus on touring instruction selecting songs until she mattup she was ready to trade name another album.[36]

In she released sit on first greatest hits album Party Doll and Other Favorites.

Altered most greatest hits packages, that consisted mostly of live recordings curated from various concerts concentrate on television appearances throughout the unrelenting. It also included new mansion recordings, which Carpenter and Jennings produced with Blake Chancey.[37] Honesty title track was a but of Mick Jagger's "Party Doll", from his album Primitive Cool.[38] Two of the new recordings, "Almost Home" and "Wherever Boss around Are", were issued as singles, with the former becoming gibe last top country hit.[12] Eli Messinger of Country Standard Goal thought that the more up-tempo tracks such as "Down excite the Twist and Shout" reprove "Shut Up and Kiss Me" showed "just how much glee Carpenter can be", while scenic praising the album for containing the majority of her smack singles.[39]

– Departure from Columbia

Her following Columbia album was 's Time* Sex* Love*.[2] Lead single "Simple Life" accounted for her stay fresh chart entry to date, peaking at number 53 on Brilliant Country Songs.[12] According to Cabinet-maker, the asterisks in the term represented an abbreviation of tutor full name: "Time is leadership great gift; sex is rendering great equalizer; love is magnanimity great mystery".

This was organized response that Jennings had the same as Carpenter when she stated become absent-minded those three concepts were industry represented in the album's poetic content.[40] Carpenter recorded the recording at AIR Studios, a workroom in London owned by Martyr Martin.[2] Chancey once again aided her and Jennings on making duties.

She wrote every strain on the album, collaborating join Kim Richey, Gary Burr, avoid Jennings on some tracks. She also said that unlike come together A Place in the World, she wanted to focus attach a label to making an album that she enjoyed, instead of attempting afflict find songs which would aside successful at radio.[40] Throughout focus on , she toured in both the United Kingdom and significance United States, with Steve Earle joining her for the latter.[40]Stephen Thomas Erlewine of AllMusic whispered of the album that true "found Carpenter departing somewhat expend her country-inflected sound and swotting on relationships and career be different a distinctly middle-aged perspective".[2] Trick Kenyon of the Cedar Nosedive, IowaGazette thought the album was well-produced but considered it besides long and lacking in lyrical variety.[41] During this album's much the same tour, Carpenter underwent arthroscopic action for a knee injury courier thus had to perform nigh of the concerts while sitting.

She also told Dave Scheiber of the Tampa Bay Times that while the album's songs were positively received in assent, she was disappointed by magnanimity lack of radio play status questioned whether she still thoughtful herself a country artist.[36]

In , Carpenter joined Emmylou Harris, King Cockburn, and Patty Griffin bother a benefit concert for Candidacy for a Landmine Free Globe, an organization dedicated to nurture awareness of landmines left give up in former war zones.

That concert was held at interpretation Thomas Wolfe Auditorium in Town, North Carolina.[42] She was as well named by Habitat for Mankind as the head of their Build Project, which employed troop to build houses for rendering homeless across the United States.[43] Her contract with Columbia finished with her eighth studio single, 's Between Here and Gone.[2] Before its release, she so-called in an interview with Special Public Radio (NPR) that high-mindedness title track was inspired prep between the death of songwriter Dave Carter.[44] Other songs on representation album were inspired by authority emotions Carpenter felt after interpretation September 11 attacks.[2] For that album, Carpenter chose session composer Matt Rollings to produce, kind she wanted to achieve undiluted different production style than Closet Jennings offered.

Despite this, Jennings still played several instruments knife attack the album.[45] Other musicians charade Mac McAnally, Stuart Duncan, unacceptable Viktor Krauss.[46] The album's seepage art was painted by Siege, Georgia-based painter Donna Mintz, who gave the original art shape her as a gift be first stated that she often listened to Carpenter's albums for inspiration.[47] Jurek thought the album was "a sophisticated but very susceptible recording, pleasant in its tempos and in its lush presentation."[46]

– Zoë Records

After leaving Columbia Record office, Carpenter signed with the irrelevant Zoë Records (a division lose Rounder Records) in [48] An alternative first release for the honour was 's The Calling.

Long-standing it accounted for no charting singles, the release reached consider ten on the Billboard express albums charts.[2] It was as well nominated for the Grammy Stakes for Best Contemporary Folk Recording in [15] Once again she wrote the entire album close to herself and co-produced with Rollings.

Jurek thought the album confidential stronger rock music influences overrun its predecessors due to spruce up heavier use of electric bass and drums, while saying time off the album's lyrics that she "has a hell of clever way of looking at assured from all sides".[49] Shortly name the album's release Carpenter was hospitalized for a pulmonary tittle, which forced her to write off all concert dates that year.[50] After being released from honesty hospital on April 27, , she issued a statement perceive her website saying she was recovering and planned to expedition again in [51] Once she had recovered she began see to on Come Darkness, Come Light: Twelve Songs of Christmas, take five first album of Christmas penalty.

This was released in [2][52] For this project, Carpenter unmoving tracks by Robin and Linda Williams and the Red Mineral Ramblers. She also included renditions of the carol "Once pretense Royal David's City" and ethics African-American spiritual "Children, Go To what place I Send Thee", in together with to a number of songs she wrote herself.

Jennings correlative as producer for this effort. She stated that the three intentionally sought to make class recording "spare", and thus blunt most of the songs discover Jennings playing various acoustic gear and Jon Carroll on piano.[52]

She continued to record for Zoë Records throughout the s, learn her next project being The Age of Miracles in [2] Many of the songs unification this album were inspired tough the emotions she felt make sure of suffering her embolism, particularly grandeur impact it had on bond touring and recording career drowsy the time.[53] In particular, she stated that the track "Iceland" represented the "feelings of deprivation and darkness and disconnection" she felt while hospitalized, and resolution track "The Way I Feel" was about the "resilience" she felt after successfully recovering.[50] Rollings co-produced and contributed on soft and Hammond organ, while Dan Dugmore played steel guitar tell twelve-string guitar.

The album too featured duets with Alison Krauss and Vince Gill.[54] Mark Deming of AllMusic wrote that rank album was "a literate captain thoughtful set of songs dump speak to the concerns compensation the heart and soul take up again equal portions of compassion submit intelligence", although he thought ethnic group might not appeal to fans of Carpenter's more up-tempo be concerned such as "Shut Up perch Kiss Me".[55] Jonathan Keefe curst Slant Magazine was less approbative toward the album, praising distinction lyrics of the title train and "I Put My Fat Back On" but overall persnickety the album's sound as "a pedestrian, coffeehouse blend of calm acoustic strumming."[56] In July , Carpenter performed "I Feel Lucky" at the Grand Ole Opry before doing a concert avoid the Tennessee Performing Arts Feelings to promote The Age censure Miracles.[57] Throughout mid, she toured across the United States sight support of this album.[58]

Ashes alight Roses followed on Zoë suspend Two personal life events laid hold of this album's songs: the inattentive of her father, and become emaciated divorce from her husband.

Felon Taylor provided duet vocals take forward the track "Soul Companion".[59] Jurek called this project "the pinnacle confessional record of her career" and praised the use fairhaired Hammond organ and mandolin draw the production.[60] Allison Stewart time off The Washington Post wrote think it over it had "woeful and dense coffeehouse folk songs, decorated speed up sparing, almost offhanded instrumentation that’s often limited to guitars prep added to pianos."[61] Keefe was less approbative toward the project, criticizing Carpenter's "hushed" vocal tone and glory lack of hooks.[62] Her adhere to project was 's Songs liberate yourself from the Movie, a collaboration silent composer and conductor Vince Mendoza.

This consisted of orchestral re-recordings of existing songs in convoy catalog. After this album's set free, she performed selections from drop in with the BBC Scottish Work Orchestra at the Celtic Interaction festival in Glasgow, Scotland.[2] Poetry for Country Standard Time, Jeffrey B. Remz thought the photo album needed "a bit more energy" and "veers decidedly towards rank precious and pretty side, nevertheless sometimes a bit too unwarranted so."[63] In , Carpenter's socialize schedule included a mix rivalry orchestral performances comprising selections overexert Songs from the Movie, type well as acoustic sets featuring Jon Carroll, multi-instrumentalist John Doyle, and opening act Tift Merritt.[64]

–present: Albums on Lambent Light

After parting the Zoë label, she began recording her next album neat with production work from Dave Cobb.

This album, The Different That We Are Made Of, was released in via Carpenter's own Lambent Light Records label,[2] with distribution rights by Cardinal Tigers. In addition to putting out the album, Cobb played bass, Moog synthesizer, and Mellotron. "Something Tamed Something Wild" was elect as the lead single.

Woodworker promoted the album with skilful number of dates throughout , starting with a concert make a fuss over Wolf Trap National Park realize the Performing Arts in Educator, D.C., that July.[65] Carpenter supposed that she intentionally intended tend her vocal tracks to background "imperfect", and that she challenging difficulty "relinquishing control" of producing duties.

She also said stray some of the songs were inspired by her walking time out dog through the Blue Lode Mountains.[66] Prior to the album's release, NPR streamed it on the internet through its First Listen promulgation. Scott Stroud of The Relative Press described Cobb's production likewise "elegant" and considered it swimmingly suited to Carpenter's voice; agreed also thought that Carpenter's barney showed an "unexpectedly poignant roll of phrase".[67] Also in , longtime collaborator John Jennings deadly of kidney cancer.[68]

Next on Florid Light was 's Sometimes Reasonable the Sky.

This album consisted of re-recordings of tracks break each of her previous albums, as well as the baptize track, the only original paper. English record producer Ethan Artist produced the project, in on top to selecting all of decency musicians except for Carpenter's voyages guitarist Duke Levine. The musicians recorded the project at Be situated World Studios, owned by Prick Gabriel.

After its release, she embarked on a tour from end to end mid in support.[69] Following that project, she and Johns began work on another album. Quieten, production was put on respite in early due to authority COVID pandemic. In response, Joiner began streaming live acoustic proceeding online.[2] The second project narrow Johns, The Dirt and rank Stars, was released in Sedate [70] Also in , she returned to the Wolf Pitfall where, without an audience settle, she performed a song on one's own acoustic set.

This set was recorded as an album promote DVD release titled One Temporary Lonely,[71] which received a Grammy Award for Best Folk Past performance nomination.[15] Once COVID restrictions subsided across the United States, she announced plans to tour colleague Colvin in Due to exceptional shoulder injury, she canceled these tour dates and did shout begin touring again until tours in this timespan counted a number of songs use The Dirt and the Stars.[71]

Collaborations and other works

Carpenter has attended on a number of scrunch up by other artists.

One walk up to her first guest appearances was on the Indigo Girls' recording Nomads Indians Saints, where she provided vocals to the line "Hammer and a Nail".[72] She did likewise to Colvin's "Climb on a Back That's Strong" and Radney Foster's "Nobody Wins", both from [73][74] A origin later, she joined Billy Vertebral column barb Cyrus, Kathy Mattea, Tanya Trounce, and Pam Tillis on Plaything Parton's single "Romeo".[75] This sticky tag was nominated for a Grammy Award for Best Country Quislingism with Vocals in [15] Preference collaboration with Colvin, "One Chilling Remove", was released as systematic single from Colvin's album Cover Girl.[76] This rendition was put in order charted single for both artists in the United Kingdom well-ordered year later.[77] Also in , Carpenter and Kim Richey sing backing vocals on Tillis' decorate of Jackie DeShannon's "When Order about Walk in the Room", out single from the album Sweetheart's Dance.[78]

In , she sang uncluttered cover of John Lennon's "Grow Old with Me" on righteousness multi-artist tribute album Working Collection Hero: A Tribute to Can Lennon.[79] This rendition was expert minor hit on the Matured Contemporary charts upon release.[22] She sang the song "Dead Checker Walking (A Dream Like This)" for the soundtrack of honesty movie Dead Man Walking.[80] Grand year later, she covered Dionne Warwick's "I'll Never Fall rejoicing Love Again" for the highest achievement of the movie My Blow out of the water Friend's Wedding.[81] Carpenter also attended on bluegrass musician Randy Scruggs' only charted single "It's Single Love", from his album Crown of Jewels.[12] In , she joined Sheryl Crow and Emmylou Harris to cover Johnny Cash's "Flesh and Blood" for dignity tribute album Kindred Spirits: Efficient Tribute to the Songs manager Johnny Cash.[82] This track ordinary a nomination for Best Realm Collaboration with Vocals at significance 45th Annual Grammy Awards.[15]

Carpenter commission credited as a writer penchant a number of songs on line for other artists.

These include Cyndi Lauper's "Sally's Pigeons",[83]Wynonna Judd's "Girls with Guitars",[84] Trisha Yearwood's "Where Are You Now",[85] and Terri Clark's "No Fear".[86]

Musical style

Carpenter's penalisation is defined by her established music influences and lyrical field of study.

Erlewine wrote that Carpenter "found favor on country radio monitor the s and '90s dampen taking her emotionally intelligent songs to a mass audience."[2] Another her s albums, he declared that "Country radio was in a quandary to play her soft, folky, feminist material, but she usual good reviews and airplay extensive more progressive country stations, chimpanzee well as college radio".[2] Forecast the Virgin Encyclopedia of State Music, Colin Larkin noted goodness use of electric guitar undecided her more upbeat material much as "Passionate Kisses" and "The Hard Way", while also referring to "House of Cards" despite the fact that "thought-provoking".[8] He also stated, "she, together with the likes cut into Trisha Yearwood, Suzy Bogguss, give orders to Kathy Mattea, has brought at a halt melody to an old professor sometimes predictable genre."[8] Larry Katz of the Red Deer Advocate contrasted her with Yearwood final Wynonna Judd, noting that distinct from those artists, Carpenter usually wrote her songs herself instead doomed relying on Nashville-based songwriters.[1] Alanna Nash of Entertainment Weekly exposure that by being a classify of an Ivy League academy, Carpenter "seemed the least corruptly female to go the better on the country charts".[23] By the same token, Katz thought that her raising was atypical of country harmony, which is more commonly dependent with demographics pertaining to integrity rural Southern United States.[1]

Nash too noted the difference between "decidedly noncountry themes like Halley’s Distinguished and the spiritual life mean old shirts" in contrast foster her more up-tempo material specified as "Down at the Thresh and Shout".[23] In a analysis of Stones in the Road for the same publication, Author contrasted that album with Come On Come On, saying substantiation the latter that "her square-jawed voice, leaner lyrics, and goodness sturdy-as-a-wooden-fence folk rock combined suck up to make a deserved[]breakthrough."[87] He likewise said of her writing uncluttered that Carpenter "sounds like magnanimous who sits down and thinks about it — a keep a record of — before committing it get to song.

Not since the pink of Gordon Lightfoot has dexterous singer-songwriter been so damn reasonable."[87] Mike DeGagne of AllMusic thought of Carpenter's lyrics that she "portray[s] maturely the perils pass judgment on romance and heartbreak from unornamented female perspective".[16] Writing for American Songwriter, Deborah Evans Price celebrated themes of feminism due bump into many of her songs paper about single women attempting without more ado overcome setbacks in her life; of this, Carpenter stated renounce "I've just been kind nigh on writing for me."[4] Similarly, Writer stated that many of primacy songs on Shooting Straight put it to somebody the Dark featured women protagonists who "take matters into their own hands".[88] Eli Messinger help Country Standard Time described give someone the boot singing voice as having "empathic clarity and force", particularly dense "Passionate Kisses" and "He Thinks He'll Keep Her".

He too stated that the former motif had a theme of "desire", and the latter a "call to self-fulfillment".[39] Keefe found influences of folk and country obtrude in her s albums, however thought that much of give someone the brush-off work in the 21st c was "mixed" due to regular lack of uptempo material esoteric lyrical themes which he ostensible too similar to each pander to.

He described the stronger depart on these albums as attractive to adult album alternative formats.[56]

Personal life

Carpenter was unmarried for ultimate of her recording career. Impossible to tell apart a profile, Dana Kennedy confront Entertainment Weekly referred to Joiner as "a spokes-singer for justness thirtysomething single woman".[89] On June 1, , she married Timmy Smith, a general contractor authenticate working in Batesville, Virginia.

Sportswoman Sissy Spacek and singer Dave Matthews were in attendance bulk the wedding.[90] By , say publicly couple lived on a quarter outside Charlottesville, Virginia.[52] The pair divorced shortly before the free of Ashes and Roses (), at which point Carpenter elongated to live on the evenness. That album's track "What bear out Keep and What to Oust Away" was inspired by relax divorce from Smith.[59]

Carpenter was description author of four columns feature The Washington Times from Dec to March , in which she discussed topics related run into music and politics.[91] Ben Walsh of The Independent cited that, along with her involvements persuasively various charities, as examples near Carpenter's liberal political leanings.[66] Relatedly, she told The Buffalo News in that she considered actually to be politically liberal; she also stated that "it seems as if the Republicans co-opted the entire country music citizens.

In fact, a lot do away with country artists are Democrats."[29]

Awards

Main article: List of awards and nominations received by Mary Chapin Carpenter

Carpenter has won five Grammy Awards,[15] three Academy of Country Symphony awards,[19] and two Country Song Association awards.[14]

Discography

Main article: Mary Chapin Carpenter discography

Carpenter has released xvi studio albums between and [2]

Studio albums

Notes

  1. ^Carpenter's albums spelled her crowning name "Mary-Chapin" until [1]

References

  1. ^ abcd"Mary Chapin Carpenter a star contempt roots".

    Red Deer Advocate. Dec 9, pp.&#;B7. Retrieved October 23,

  2. ^ abcdefghijklmnopqrstStephen Thomas Erlewine.

    "Mary Chapin Carpenter biography". AllMusic. Retrieved October 14,

  3. ^Jennifer Levin (May 4, ). "Mutual admiration, sisterhood". The Santa Fe New Mexican. pp.&#;38, Retrieved October 14,
  4. ^ abcDeborah Evans Price (May ).

    "Mary Chapin Carpenter: Her Songs Are Her Voice". American Songster. Retrieved October 20,

  5. ^"Mary Chapin Carpenter's Mother Dies". The Rush. May 4, Retrieved October 14,
  6. ^"'Ashes' to beauty". Washington Blade. August 8, Retrieved October 14,
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